6000 Words
Oct. 24th, 2012 08:56 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
That's the number of words hammered out over a weekend in Hershey, PA, holed up in a hotel room while Beloved Spouse was at a professional conference.
That's the number of words needed to finish the first draft of my new Arkady Bloom novella, A Study in Violet.
That's the number of words I wrote in three days. I hadn't written that many words in the month previous. The last time I wrote anywhere near that pace was when I was hiding in a hotel room in Atlanta while Beloved Spouse was at another professional conference.
I remember when I used to write at that pace without needing to hide away from the world in hotel rooms in strange cities. Granted, I was at the end of the story and the horse was pointed at the barn. I always write faster at the end of the piece, but still…
I need to remember how to do this on a regular basis. I need to figure out why my writing production has slowed so dramatically this year and correct that. I need to find a place or space where I can work for at least three or four hours a day with little or no distraction. I need to find a space (both physical and mental) where I'm comfortable as writer.
That said, A Study in Violet is complete in the first draft. I am intensely pleased by this. Where Horror at Cold Springs was Lovecraftian horror and The Curious Case of the Jeweled Alicorn was a Bondian spy-thriller, this one is (as you might guess from the title) a Holmesian murder-mystery.
Originally posted at michaelmerriam.net. You can comment here or there.
That's the number of words needed to finish the first draft of my new Arkady Bloom novella, A Study in Violet.
That's the number of words I wrote in three days. I hadn't written that many words in the month previous. The last time I wrote anywhere near that pace was when I was hiding in a hotel room in Atlanta while Beloved Spouse was at another professional conference.
I remember when I used to write at that pace without needing to hide away from the world in hotel rooms in strange cities. Granted, I was at the end of the story and the horse was pointed at the barn. I always write faster at the end of the piece, but still…
I need to remember how to do this on a regular basis. I need to figure out why my writing production has slowed so dramatically this year and correct that. I need to find a place or space where I can work for at least three or four hours a day with little or no distraction. I need to find a space (both physical and mental) where I'm comfortable as writer.
That said, A Study in Violet is complete in the first draft. I am intensely pleased by this. Where Horror at Cold Springs was Lovecraftian horror and The Curious Case of the Jeweled Alicorn was a Bondian spy-thriller, this one is (as you might guess from the title) a Holmesian murder-mystery.
Originally posted at michaelmerriam.net. You can comment here or there.